Silver Bear Gallery

Art of the Plains Indians: Circa 1800s

Historical Background

The Ceremonial Shirt

In the early 1800s, some noted artists captured the dress of the Plains Indians in paintings and sketches.  Based on these images, one can conclude that the use of ceremonial shirts was not common at that time.  During the next 100 years however, there was a significant evolution of design and use of the Ceremonial shirt (sometimes referred to as a Warshirt).  Perhaps this coincided with the threat of the western expansion of settlers.  The exact chronology of this evolution is unknown but decorative elements of these shirts followed a pattern of available materials which advanced from paint to porcupine quills to pony beads (large beads) to seed beads and eventually leading to the use of ribbon and similar trade goods.  The tribes typically ascribed as belonging to designation of Plains include the following:

 

   Arapaho

   Assiniboine

   Blackfeet

   Cheyenne

   Comanche

   Cree

   Crow

   Kiowa

   Pawnee

   Sioux

 

Some of these tribes are thought to be the innovators of various decorative designs and construction techniques for these shirts; but the chronology is largely speculative and is confused by the exchange of goods among the various tribes.  Even when there is documentation as to the procurement of an item, there can be questions as to the original source of the item.  There was also a common practice of taking decorative items from one shirt and adding them to a newer shirt.  This makes dating a given item equally difficult.  Thus, associating a shirt with a given tribe and time period is subject to a certain amount of speculation.

 

Ceremonial shirts were made to honor their male wearers and credit the women that executed their intricate craftsmanship.  The owner of a shirt earned the right to wear it through acts of bravery such as:

 

   Touching an enemy during battle

   Capturing a weapon

   Leading a war party

   Stealing an enemy horse

Each shirt was created to honor an individual.  Some shirts were thought to hold intrinsic spiritual power which was transferred to the garment's owner or wearer.  Shirts were commonly made of Elk, Deer, and Mountain Sheep.  When tanned properly using the animal's brains and liver, the hide became soft and supple.  Beaded and/or porcupine quill strips were created to hide the seams.  When a warrior was dressed in his shirt, he embodied a level of achievement that inspired others to emulate him.  For example, locks of hair represent coups, scalps, and captured horses.  Human hair scalp-locks attached to a shirt have great symbolism. Hair was considered an extension of a persons soul.  For an Indian warrior to acquire hair from another was to add his power and strength to his own.  Extra courage and strength was always, needed for the daily struggles which a young Indian warrior faced.

Native American languages have no word for art because beauty exists as an element of nature and everyday existence.  The very fiber of life begins with an understanding of natural gifts and appreciation of the irrepressible forces of nature.  The Ceremonial shirt represents an extension of nature and embodies the power of natural and spiritual forces.  Therefore, the wearer of the shirt it was not a form of art but surely to anyone who views these rare and magnificent articles of clothing, they represent an artistry that is fast disappearing; this web site is an attempt to honor and preserve the glory of this heritage.

 

Dresses

The adornment of Plains Indian dresses reflects the status of the wearer within the tribe.  Various materials were used for this purpose including shells, beads, and animal teeth.

 

Cradles

Cradle making among the Plains tribes was considered a ceremonial act.  The decoration represented status or rank and was a reflection of a family’s prestige.  Cradles were often created by grandmothers and were passed down through the generations within the family.

 

Pipe Bags

 

The pipe bag was the badge of office for the Pipe Owners whose responsibilities were numerous.  The pipe owners assigned various family groups their location within the camp.  They also decided the times for the buffalo hunts and organized the hunt.  In general, the pipe holders were chosen for their wisdom, integrity, bravery, and generosity.


Silver Bear Gallery Placitas, New Mexico

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Full Scale: Shirts

Gallery 1

Full Scale: Dresses

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Full Scale: Other

Gallery 3

Reduced Scale: Shirts

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Reduced Scale: Dresses

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Reduced Scale: Other

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